The 2026 Collection: Geometry in Plant‑Based Form
This collection brings together five sculptural forms, each one crafted from my plant‑based material made from fermented cornstarch — a renewable medium that allows me to shape contemporary pieces with intention and lightness. Melori explores softened asymmetry and quiet geometry through its warm hex‑textured form. Doona moves in metallic gradients, letting color flow slowly across its surface. Beoriya carries a deeper architectural presence, grounded in its sculptural silhouette. Noriya lifts botanicals off the table and onto the wall, turning stems, light, and shadow into a small architectural gesture. And Siren, with its three‑color fusion and spiral form, transforms single stems into tiny moments of movement. Together, they form a family connected by material, form, and a shared commitment to plant‑based design.
Doona Planter & Stand
Introducing Doona and Doona Elevated. I designed these pieces around contemporary lines and the way color flows when it’s given room to move. The new stand brings a sense of elevation and structure — turning the planter into more of a sculptural moment. Each one lands differently, and that’s what I love most.
The finish moves through silk silver, gold, and copper, creating a soft metallic gradient that feels fluid rather than fixed. The colors settle across the form in a way that feels natural and unforced — a slow shift from cool to warm, from light to shadow. No two gradients land the same, and that quiet unpredictability is part of what makes Doona feel alive.
The first Doona finish was all about luminosity — a soft transition from silk-silver to gold to copper. For this version, I pushed the palette darker. Gold warms into coffee, then sinks into a shadowed red, creating a heavier, moodier gradient. It’s the same movement of color, just told in a deeper tone.
Beoriya Planter
Beoriya (Beh-oh-ree-yah or Bee-oh-ree-yah) planter was inspired by xplore our range of services designed to help you move forward with confidence, wherever you're headed next.
Melori Planter
Meet Melori. This piece began as an exploration of asymmetry — a form that leans, lifts, and settles in its own rhythm. The hex texture came later, drawn from a beehive I kept returning to in my neighborhood. Together, they create a planter that feels both architectural and organic.
Siren Mini Bud Vases
I designed the Siren Mini Bud Vases as a study in movement — in both form and color. Each one carries a fusion of three tones that shift as the light changes. Made for single stems or a small cluster of blooms, they give even the smallest botanical a place to shine.
Noriya Wall Vase
Introducing Noriya. I designed this wall vase as an exploration of holding space — a soft, rounded form with a recessed lattice that invites stems, light, and shadow to settle in. It’s a small architectural moment, meant to feel both grounded and quietly expressive. Flowers are so often limited to vases and tables; Noriya lifts them into the room, letting botanicals live at eye level and become part of the wall’s rhythm.
